"Mama Don't You Cry" is a touching ballad dedicated to his mother, I love how the emotion is pouring down like a hard rain, such a beautiful tune.Ī very good album and probably their last greatest piece before Matijevic involved in a deadly accident while performing live. "Love 'Em And I'm Gone" copied Dr.Feelgood's groovy rhythm and overall a good track while "Steelheart" contained one of Matijevic's insane scream. "Late For The Party" and "Dancin' In The Fire" are in the same vein and both are also my fave tracks. "Sticky Side Up" is definitely a party soundtrack, check out the naughty words of ‘watches me drown in your lovin' cup', the music is arousing and guaranteed to make you bang your head. "Loaded Mutha" was given the chance to open the album, this Whitesnake-ish track puts Matijevic's magical vocal to the front, a great track but the next one is even better. This album's style is sleazier and catchier but slightly inferior in songs quality if compared to their debut. Although the effort wasn't very fruitful, Steelheart secured a safe position in Asian region with the sophomore ballad, "Mama Don't You Cry", conquered many charts there. Steelheart was heralded with an explosive fame after their big international hit, "She's Gone", was spreading like crazy across the planet, and "Tangled In Reins" was their second attempt to emulate the debut's success.
A sad tale about a major talent that never really was able to find and develop itself completely, however i still find myself listening to this album every now and again simply because of the sheer magnificence in its somewhat imperfect delivery. Unfortunately the band came late in the game of glam metal and changed their sound on the second album and then Matijevic had an onstage accident leaving him and this band crippled for life. While i really love these few tracks a lot when i listen to this entire album i am always left with a somewhat dissatisfied feeling that this band never really developed their own distinct sound and personality. They really rock, are super catchy and even though they aren’t dripping with originality, Matijevic’s vocals elevate them above the styles that they are imitating. Unfortunately the music surrounding these vocals is derivative in every aspect.Īlthough the music is rhythmically and melodically pleasing, at this point this type of glam metal by the numbers was far past cliche and there are even blatant Led Zeppelin blues rip-offs as heard in “Sheila.” The power ballad “She’s Gone (Lady)” was a huge hit in Japan and is a very pleasant AOR / power metal track indeed but like everything else on this album, it just reeks of playing it safe and pandering to the teenage panty throwing audience who loves their rock stars who wear more makeup then they.Īlthough i have hardly been a fan of this band, i did pick this album up a long time ago and held onto it simply because i really love the first four tracks. Matijevic has the voice of a trained opera singer and even makes Geoff Tate seem inferior with his vocal acrobatics. The first four tracks are excellent which includes their best known single “I’ll Never Let you Go” which is one of the absolute most stunning successes in glam metal ballads that i’ve ever heard.
The band began under the moniker Red Alert but after finding out that the name was taken settled on STEELHEART.
STEELHEART may have been latecomers to the glam metal scene but they really made an impression with their eponymous debut album solely because of the stunning multi-octave vocals of Michael Matijevic, who after immigrating from Croatia to Connecticut found his place in the musical world.
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